MusicPop

JP Saxe & Shallou – I Haven’t Said Enough (Shallou Remix)

JP Saxe and Shallou release new pop song titled “I Haven’t Said Enough (Shallou Remix).” Please check it out above and drop a comment to let us know what you think about it.

Stream/Download:

All Platforms: jpsaxe.lnk.to/IHSEShallouRemix
Apple Music: music.apple.com/us/album/i-havent-said-enough-shallou-remix/1825174513
Spotify: open.spotify.com/track/5FDeBI6hUUHiJIWsOtdjKJ

Today multi-platinum singer-songwriter JP Saxe and indie-electronic producer Shallou release “I Haven’t Said Enough (Shallou Remix)” out now via Arista Records. The pair have joined together to bring brand new energy to the R.E.M. classic “Losing My Religion.”

JP Saxe and Shallou collaborate for the first time on the remix for “I Haven’t Said Enough” recently released on Make Yourself At Home, as it is now infused with Shallou’s atmospheric beat-driven production. On the story behind “I Haven’t Said EnoughJP Saxe explains, “I had these verses for months. I wanted them to feel devastatingly committed to remaining moved in the face of phone screen imagery that slow drip kills your willingness to feel like a human, but I couldn’t get that feeling right, and then one day in the studio I started singing R.E.M.’s ‘Losing My Religion’ along with my verses, and it was perfect. I asked them if I could use it, and to my immensely grateful surprise, they said yes. So, here’s my interpolation of one of my favorite songs of all time, at a time when remaining a big feeling person committed to compassion is getting increasingly complicated.”

Discussing collaborating with JP Saxe, Shallou shares, “JP has a rare ability to write lyrics and songs that seem to reach out from the speakers and grab you. In this case, I deeply resonated with the message of the song—and as a longtime fan of R.E.M., that connection ran even deeper. While most interpolations tend to fall flat for me, this one stood out as an excellent reinterpretation of the original concept, thoughtfully recontextualized for a modern audience. With the remix, all I aimed to do was enhance the beautiful elements already present—adding a bit of top-down, volume-all-the-way-up energy. The kind of sound you blast in the car letting those feelings of frustration pour out.”

Recently, Saxe shared his album Make Yourself At Home exploring universal emotions and experiences with charismatic vocals and relatable self-examination. While diving into themes of belonging, desire, and discipline, Saxe is unafraid of questioning his own desires and motivations. The album included, “STRANGERS” featuring Argentinian star TINI, a gorgeously tense and highly relatable song that balances nostalgia with acceptance for a relationship that’s run its course. The single is part of a run of tracks that perfectly pair thoughtful and bluntly real emotional exploration with evocative instrumentation throughout the two-part album.

Before that came Articulate Excuses singles including: “SAFE,” which explored masculinity in an R&B-kissed pop track co-written/produced by Malay (Frank Ocean, Lorde, FLETCHER); “SMARTPHONE MAKE ME DUMB,” a deeply vulnerable meditation on modern escapism; and “I WANNA MOVE TO BROOKLYN,” an apology for being the worst part of oneself turned into an addictive pop song.

In 2024, Saxe wrapped up his sold-out, headlining A Grey Area World Tour following his support of John Mayer’s 2023 arena run and the release of Saxe’s last album, A Gray Area. That reflective set was largely produced by Malay and included the single “I Don’t Miss You” with Mayer, plus collaborations with Latin-GRAMMY®-winning Colombian artist Camilo, the folk-pop trio Tiny Habits, and beloved singer-songwriter Lizzy McAlpine. The album garnered praise from Billboard, People, Forbes, Entertainment Weekly, Rolling Stone, and more.

Saxe shared a pair of performance LPs last year: A Grey Area (Live Sessions) — featuring acclaimed guest instrumentalists like Cory Henry and Tal Wilkenfeld — and Live on Stage, which included a solo version of his 2019 blockbuster, “If the World Was Ending,” a 4x Platinum GRAMMY® nominated song that has been streamed over 2 billion times worldwide. Saxe has already proven himself to be a master of off-the-cuff intimacy, but in his current era, it’s clear he’s intent on bringing us in even closer — experience that in-person at one of the upcoming dates below.

JP Saxe Tour Dates:

Sep 9 – Edmonton, AB @ Midway Music Hall
Sep 10 – Calgary, AB @ The Palace Theatre
Sep 12 – Seattle, WA @ The Showbox
Sep 13 – Victoria, BC @ Rifflandia Music Festival
Sep 14 – Vancouver, BC @ Orpheum
Sep 15 – Eugene, OR @ McDonald Theatre
Sep 17 – San Luis Obispo, CA @ Fremont Theater
Sep 18 – Los Angeles, CA @ The Ford
Sep 19 – San Francisco, CA @ The Masonic
Sep 21 – Salt Lake City, UT @ The Depot
Sep 22 – Denver, CO @ Gothic Theatre
Sep 24 – Dallas, TX @ The Echo Lounge & Music Hall
Sep 26 – Nashville, TN @ Cannery Hall
Sep 27 – Chicago, IL @ The Vic Theatre
Sep 28 – Minneapolis, MN @ Varsity Theater
Sep 30 – Detroit, MI @ Saint Andrew’s Hall
Oct 1 – Toronto, ON @ Massey Hall
Oct 3 – Ottawa, ON @ The Bronson Music Theatre
Oct 5 – Montreal, QC @ MTELUS
Oct 6 – Philadelphia, PA @ Union Transfer
Oct 7 – Boston, MA @ Big Night Live
Oct 9 – Washington, DC @ The Howard Theatre
Oct 10 – Brooklyn, NY @ Brooklyn Steel
Oct 11 – Richmond, VA @ The National
Oct 12 – Charlotte, NC @ The Underground
Oct 14 – Miami, FL @ ZeyZey Miami
Oct 15 – Orlando, FL @ The Beachman
Oct 18 – Lima, Peru @ CC Bianca – Barranco
Oct 20 – Bogota, Colombia @ Royal Center
Oct 23 – Sao Paulo, Brazil @ Teatro Bradesco
Oct 24 – Buenos Aires, Argentina @ Teatro Vorterix
Oct 26 – Santiago, Chile @ Club Chocolate
Oct 29 – Mexico City, Mexico @ Foro Indie Rocks

Follow JP Saxe:

Instagram: @jpsaxe
TikTok: @jpsaxe
X: @jpsaxe

Artist Biography:

The Toronto-born, L.A.-based multi-platinum singer-songwriter and multi-instrumentalist JP Saxe has mastered the art of not holding back. He lets his words spill out in a way that feels raw and frank, while subtly shaping that highly detailed stream of consciousness into something that resonates universally. His music performs a similar trick, displaying the signs of prodigious talent but going down easy — a mix of hi-fi bedroom pop, piano balladry, breezy soul, and conversational R&B that shifts to meet every emotion. All of which explains how he quietly became a pop phenom, amassing over 3 billion streams and spending much of 2024 criss-crossing four continents via his sold-out headlining tour and (before that) opening for close collaborator John Mayer. Saxe’s slow-burn rise began with 2019’s unfortunately prescient “If the World Was Ending.” The intimate, Finneas-produced Julia Michaels duet became what Apple Music called “the pre-eminent love song of the pandemic,” earning 4X Platinum status, a Song of the Year GRAMMY® nod in 2021, and a Breakthrough Artist of the Year JUNO for Saxe. He quickly followed with his debut album, the playfully but accurately titled Dangerous Levels of Introspection, featuring acclaimed singles with Maren Morris and Mayer. The latter returned for 2023’s A Grey Area, a sophomore set that found Saxe honing his highly expressive sound and heart-on-sleeve meets tongue-in-cheek approach, not to mention continuing a striking run of TV performances. Last year, he released A Grey Area (Live Sessions) and Live on Stage — love letters to the fans who pack every room he plays. In 2025, Saxe rewards us all with new music.

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